Software can faithfully emulate iconic models, offer brave new sounds, and even present fresh ways to synthesise audio – all at prices that are typically far lower than their physical counterparts. To show off the new features, our team of heroic sound designers have created hundreds of breathtaking new sounds for you to explore and use in your tracks.There are many reasons to opt for a software synthesizer over a hardware one. What would an update be without little improvements here and there? New interface, MPE capability, new undo/redo functionality and enhanced modulation bar await you. We’ve added the iconic sound of the Buchla Easel low pass gate and a space-age tape echo to Pigments’ sonic arsenal, for some seriously nice warping, contorting analog flavor. The in-built sequencer now lets you apply randomness in a non-destructive way, letting you always return back to where you started, perfect for live performance and improvisation. Loop, edit, and bring them to life with Pigments’ modulation abilities.Īdd another level to your sound design by transforming samples into granular synth patches at the touch of a button, adjust density, envelope, size, and exciting randomization parameters. I look forward to hearing how musicians integrate all this granular synth and sample-shaping power with the crazy modulation stuff Pigments is capable of.“Įxplore hundreds of samples, import your own, load them into one of 6 different slots with 6 playback modes. The first version was audacious, but Pigments 2 brings the reality much closer to our original ambition. „What started as a dream is now a reality, and we couldn’t be more excited to let new and old customers alike experience Pigments like never before.
„To say we’re proud is an understatement,“ says Sam Limier, a key player in the Arturia team responsible for bringing Pigments to life.
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